When does it stop 'being' Kraftwerk?
The other day I bookmarked a story about the recent tour of the USA that Kraftwerk have just done, which culminated in their appearance at the Coachella festival. The set-list has changed slightly from when they were on their post 'Tour De France Soundtracks' world tour, but the biggest difference has been the absence of founding member Florian Schneider. There is no official word as to why he isn't on the tour. He might be ill, he might have left...
Promoting bands online in 1995 - Telwhat Mutelibtech to where?
I love stumbling across little bits of nostalgia about the way computers used to be - whether it is an old guide to getting online, or a basic instruction book for programming micro-computers. I spotted another one the other week. I was going through and ripping some CDs to iTunes - a process which I'm guessing, like the UK, may technically be illegal in Greece - when I came across a Freepost mailing slip card in Nitzer Ebb's dismal final...
Sony finally ready to disconnect music store
Sony have just announced the final steps towards the closure of the Sony CONNECT Music Store that I worked on when I was with Sony NetServices in Austria. They are taking a two-step approach. The whole service will cease on March 31st 2008, but before that, on March 1st, the online component - http://www.connect-europe.com - will be closed. That always, in my view, should have been the unique advantage the Sony service had. Unlike the iTunes music store, which required...
Vote Super Furry Animals!
I noticed last week that my favourite Welsh band, Super Furry Animals, were adding an interactive element into their North American tour. They are visiting the US to promote their most recent album, 'Hey Venus!', and are allowing people to vote for the songs they most want to hear included in the set-list. It reminded me of a couple of earlier attempts at doing this kind of interactive set-list. In 1986 Elvis Costello went out on tour with the 'Spectacular...
Response to my 'DRM for vinyl' article on Idolator
My post about analogue rights management for vinyl was mentioned on the Idolator blog (via No Rock And Roll Fun's bookmark) where DENNISOBELL left an interesting comment. They suggest that my recollections of it being in the late 70s are a few years out. "I can narrow this down for the poor guy: he failed copy-protection for analog sources dates to the late 1980s -- I know, because I remember reading about it in either High Fidelity or Stereo Review...
Audiophile pressings - where the maufacturing process is more important than the music
Over the last few days I've been writing about some of the variations there were on good-old fashioned vinyl LPs, looking at physical materials like Dynaflex, obscure formats like Quadraphonic Sound, and the 1970s attempt to embed copy-protection within vinyl pressings. When I used to work in the rarities department of Reckless, there was another particularly special brand of vinyl - audiophile pressings. Audiophile pressings, during the 80s and 90s at least, were the specialist preserve of a couple of...
Dynaflex - RCA's 1970s ultra-thin vinyl
Yesterday I was writing about the 1970s surround-sound solution - Quadraphonic. It never caught on, and really it was ahead of its time. It wasn't until home-cinema systems and digital surround sound became a possibility that the concept gained mainstream consumer viability. Quadraphonic records were rare though, and when I worked at Reckless we used to have a special mailing list of quad-buffs who we let know when we obtained any. Quadraphonic wasn't the only special format of vinyl LP...
Quadraphonic: The forgotten surround sound of the 70s
Yesterday, when I was writing about the aborted attempt of the music industry to put some kind of copy-protection system into vinyl, I mentioned in passing an old friend of the family, who had hoped that his decoder gizmo to bypass the system would make him rich. He was also the only person I ever encountered with a Quadraphonic sound set-up. Quadraphonic is the forgotten surround sound system of the 1970s. It was never a huge commercial success, in part...
Copy-protection for vinyl in the 1970s
When I was thinking about an iconography for DRM, I began to think back to the old days of recording vinyl onto my portable tape deck using a 5-pin DIN plug to connect the two machines, the advent of tape-to-tape decks, and being poised over the pause button to record tracks from John Peel sessions. It was all so simple and blissfully analogue in those days, without a hint of copy protection in place. Well, that isn't strictly true. I...
This year's digital Christmas number one
Today we'll find out what is the UK's Christmas Number 1 for 2007, following in such luminary footsteps as Bob The Builder's "Can We Fix It?", Mr Blobby's "Mr Blobby" and the unforgettable St Winifred's School Choir with "There's No-one Quite Like Grandma". It is the first year that sales of tracks that are only available as digital downloads will count towards the chart, as the last major chart rule-change occurred in January 2007. The biggest Christmas music story has...
I'm gonna spend my Christmas with a Dalek p>
Voting for your American Idol in Greece p>
Finding, sharing, and playing with that Tony Palmer BBC rejection letter p>
It is so hard to be a Depeche Mode completist these days p>
Sister Ray's vinyl footprint p>
Pay what you want for Radiohead's new digital album "In Rainbows" p>
The London freesheets and the web - Part 1: Music reviews p>
Between a Northern Rock and a hard rock place p>
Sony closes the door on the European CONNECT store p>
Reckless Records RIP - Part 11: Afterburner p>
Reckless Records RIP - Part 10: Expansions p>
Reckless Records RIP - Part 9: Keep The Customer Satisfied p>
Reckless Records RIP - Part 8: Future Sound Of London p>
Reckless Records RIP - Part 7: Television Personalities p>
Reckless Records RIP - Part 6: Digital Penetration p>
Reckless Records RIP - Part 5: OK Computer p>
Reckless Records RIP - Part 4: Computer World p>
Reckless Records RIP - Part 3: High Fidelity p>
Reckless Records RIP - Part 2: Happiness In Magazines p>
Reckless Records RIP - Part 1: An End Has A Start p>
A tour of Tour De France news sites - Prologue p>
'Cancel' just doesn't seem to mean 'Cancel' for iTunes 7.2 on Windows p>
Musical social networking (slight return) p>
Tweaking my old Glastonbury articles in response to searches p>
Can We7 fare better than Sigue Sigue Sputnik in making people listen to adverts? p>
No Beatles digital downloads on Sgt. Pepper's 40th anniversary p>
How much did shingles cost in 1963? p>
The Rhino Hi-Fives reinvent the 'Greatest Hits EP' for the digital era p>
It was twenty years ago today...The Beatles CD reissues from 1987 p>
Sony Connect music download store relaunches in Europe - part two p>
Sony Connect relaunches with improved information architecture for browsing p>
Vodafone relaunches their web music store in the UK p>
Slacker equivalent already on the market in Europe - meet Sony and Vodafone's Radio DJ p>
Playing with the Virgin Radio player beta p>
Why not be accessible Instead - trying to buy Onetwo's new album p>
Idlewild using Channel 4 footage as an incentive to pre-order digital downloads p>
eMusic subscription changes = price rise p>
Buy the so-called "Complete" Depeche Mode iTunes box set? No thanks, Apple p>
Thoughts on being locked out of my iPod's content by Apple's DRM p>
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About Martin Belam
I'm an internet consultant and writer, with 8 years experience in product management, information architecture, and user experience design for global brands like Sony, Vodafone and the BBC. I specialise in advising on search, widgets, online news publishing and bulk email delivery.
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email: martin.belam@currybet.net
tel: +44 (0) 7801 828718
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