My colleague Meg Pickard gives a great presentation about the nature of social media, and it includes a slide of three people waiting at a bus stop, with the question 'is this a community?'. At the weekend I had cause to think about the nature of being 'in a community' at Depeche Mode's O2 gig. There is no doubt that I am a big fan of Depeche, and have been for many, many years. I also visit a lot of...
Earlier this year I was lucky enough to have the chance to see some of the surviving members of the BBC Radiophonic Workshop play live at the Camden Roundhouse, and to attend a question and answer session with them beforehand. Photo by Stickpeople Almost certainly the biggest impact the BBC Radiophonic Workshop had on popular culture was Delia Derbyshire's electronic realisation of the Doctor Who theme. However, that didn't hit the nation's screens until 23rd November 1963, 46 years ago...
Yesterday I posted about a festival I went to twenty years ago. Today it is the turn of one I went to less than two weeks ago, Leicester's Summer Sundae. It was my first trip to that particular festival, which is held in the grounds of the De Montford Hall, and which this year was due to be headlined by The Streets, The Charlatans and The Zutons. I say 'due to be', as on the Friday The Streets had to...
Unless major figures have died, there has been a massive terrorist attack, or a man has landed on the moon, there aren't many days of the year where you can be absolutely sure you know what you were doing exactly twenty years ago, but today is one of them. Twenty years ago today I was in a muddy field listening to New Order. I know this because one of the pubs near to where I used to live in Muswell...
The campaign leading up to the release of the new Muse album has been really interesting, with an online/real-life game of hunt-the-USB-stick called PROJECT EURASIA Well, the campaign was interesting until it got to the bit where they actually release the music for sale. Today was the digital release of single "Uprising". Sort of. Or as they put it: "Following the worldwide radio premieres yesterday, Uprising is now available to download in some countries. Release dates vary around the world"...
The music industry has been going 'back to the future' for format inspiration again, with the launch this week in the US of the D45 via iTunes. These digital downloads feature an 'A' and a 'B' side, and the thumbnail image embedded in each digital file looks a bit like an old 7" single sleeve or a jukebox promo version of an old hit. The range includes a 'D45' from Michael Jackson (of course), and 'Use Somebody' by Kings Of...
With the memorial service over, it looks like we'll now gradually see diminishing amounts of column inches devoted to Michael Jackson. I wanted thought to put down some of my thoughts about what the reaction to his death tells us about search on the Internet, and on news sites. There were a lot of articles looking at the reaction of search engines to the news. This is always one of the cases that fascinates me about the whole problem of...
I can't remember who pointed me to it, but earlier this week I was directed to a free download of a track by Daisy Dares You - the project of 15 year old Daisy Coburn. In order to get your free mp3 you need to sign up for some permission marketing. I always like to see a well optimised form, and so it was good to see 'United Kingdom' and 'Ireland' head the list of territories. There had obviously been...
Last week the new CD by Idlewild - "Post-Electric Blues" - arrived at our house. Like several bands before them including Marillion, the recording and pressing of the album was financed by getting their fan base to pre-order it in return for a physical CD and a mention inside the sleeve. As well as a booklet featuring my wife's name, the CD came with a small note imploring fans not to upload the album to file-sharing sites. "Thank you very...
On May 17th I went to see an evening with 'The Radiophonic Workshop' at Camden's Roundhouse, which was part of their Short Circuit festival of electronica. Yesterday I posted my review of the gig. Photo by Stickpeople Before the show started there was an hour long Q&A session with 5 members of the Radiophonic Workshop, which I was lucky enough to attend. Here are some of my notes from the event. The conference circuit Thanks to their involvement with Doctor...
On Thursday I went to Dingwalls in Camden to see Idlewild play two of their albums in full, as part of a three night residency they were doing there. We were standing behind the sound desk, and it was interesting to see a real contrast in the technology on display. The mixing desk incorporated a touch-screen control panel, and looked worth a fortune. However, the poem by Edwin Morgan that closes one of my favourite tracks, 'The Remote Part /...
It may seem to the casual observer, that, having recently seen The Cure and ABC, I'm trapped in a desperate mid-life crisis retro cycle of watching 80s bands live. I did nothing to dispel that illusion the other week by going to see Ultravox at Camden's Roundhouse. They were the first 'modern' band that I went to see live. In 1984 I wasn't old enough to go to a gig on my own, so one of my friends got tickets,...
It is twenty years since The Shamen released their second album, "In Gorbachev We Trust". This was the album that saw them move from being a psychedelic indie four-piece band, to being a duo experimenting with acid house. [1] The main single from "In Gorbachev We Trust" was "Jesus Loves Amerika", a stinging rebuke to right-wing evangelists in the USA. It features vocal samples from several American televangelists, including an opening quote from James Robison stating: "I'm sick and tired...
In the unlikely event that a) I'm ever on Desert Island Discs, and, b) that they've changed the format so that you can only take one album with you, I would be faced with a tough choice between two contenders. I suspect that Talk Talk's "Spirit Of Eden" would probably provide longer lasting spiritual nourishment for the soul and greater depth of listening. However, I'm pretty certain that I would in the end opt for ABC's "The Lexicon of Love"....
The new U2 album is being promoted by a TV spot in the UK, using a chunk of the middle section of "Get On Your Boots" - the first U2 lead single from an album to miss the UK Chart Top 10 since "Gloria" in 1981. The TV ad quotes Q's opinion of "No Line On The Horizon" "Their greatest album - *****" I'm unsure where the quote comes from. Try as I might, the only line close to this...
In my line of business, we have a mantra - "you are what you measure". If you decide page views are your KPI, then you can increase those by simply splitting articles across three pages. If you decide time spent on the page is your main measure of success, then you can publish longer articles and puts lots of images in so it requires more scrolling, and so on. The music industry measures success by 'the charts', and the charts...
I can actually remember the exact moment I became a fan of The Cure. It was in 1986, and they had just released their first singles compilation - 'Standing On A Beach'. A friend used our 80's style peer-to-peer network to swap the music files with me i.e. he physically lent me his cassette of the album. Double-play edition with extra unavailable b-sides no less. I was on the 34 bus. The route ran as far as Whipps Cross then,...
My wife has had one of Apple's limited edition U2 iPods since 2004, which she got not because of a desperate love of the band, but because it was the first time one was available in black. Sadly last week it died, and she was faced with the dreaded 'unhappy iPod' icon. The thing is, I can't help feeling that it might not have been a total coincidence that the machine chose to give up the ghost on the very...
It used to be that when your favourite band were about to release a new single, you'd be poised over the pause button of your cassette recorder, waiting to tape it off the radio onto a C90. I can remember John Peel playing the Jesus & Mary Chain's "Sidewalking" single for the first time on air, and liking it so much that he immediately played it again, and before that I can remember listening to Peter Powell's 5 45s. Of...
Personally I remain unconvinced of the power of 70's music to reach out through time and corrupt the youth of today via the medium of guidance notes for exams, but that hasn't stopped the Gary Glitter GCSE 'scandal' being one of the main media storms of the day. For me perhaps the most unintentionally funny bit of it is the quote from the anonymous headmaster in The Sun about his fears when teenagers go online: "He's a convicted paedophile jailed...
If you are going to produce a celebratory issue with lots of charts and lists of the 'the best of they year', then now is the time to get the punters voting for what to put in the list. Last week I was prompted to vote in Q's poll on the best album of the year. [1] I'm always astonished at the things that seem to go live on the web without having had any serious QA or testing on...
"I'm into sci-fi (sci-fi, sci-fi) I'm into sci-fi, U.F.O I think that I-Spy, (I-Spy), (I-Spy) And where I go, the Force will go" It would have been around this time of the year, 29 years ago, that I first heard Cliff Richard's "Rock'n'Roll Juvenile" album. Back in the late seventies and early eighties, Cliff Richard's albums used to always come out in late September or early October. I'm fairly certain that EMI had their eye on the Christmas present market,...
This week Depeche Mode announced what Fletch said was their "rather modestly titled" Tour Of The Universe. It gave me an opportunity to have yet another truly diabolical user experience with Ticketmaster. I got an email alert from Live Nation that the tickets for the London gig were going on 'pre-sale' at 9am on Thursday morning. In order to be able to buy tickets you needed to register with the Live Nation site. Naturally, I did that, and come five...
I noticed a couple of weeks back that The Telegraph has a special promotion, where they have joined forces with eMusic to give away free downloads to readers. What struck me as really interesting is the way that they are selling the idea that you can see and follow the music taste of Telegraph writers and editors, as well as contribute to a Telegraph 'chart'. Since eMusic is a social download platform, member's networks can build into an interesting blend...
"Oh goodbye google eye... Goodbye goodbye goodbye google eye" No, not a reaction to news that Google's Street View Spycams have been banished from Britain, but a chunk of lyrics from a 1960s hit called "Google Eye" that I stumbled upon the other day. Written by John D. Loudermilk it was recorded in the UK by The Nashville Teens, and came out in 1964 on the Decca label, catalogue number F12000. The song is about search in a roundabout way...
I love last.fm. You love last.fm. Everybody loves last.fm. It is a cool poster child for the Web 2.0 generation, and the fact that they built their business model on avoiding paying streaming royalties in the UK as much as possible is neither here nor there to most people. But... ...installing the application on your Windows XP PC can be really sucky. The problem is that the Last.fm application seems to pay no attention to the account settings on the...
It seems at the moment that no trip to the UK is complete for me unless I manage to get to see Idlewild. In October last year we managed to catch them outside London, during a day trip which involved a ghost walk of our own devising around Haunted Cambridge. On our most recent trip back to Blighty, we saw them during July at ULU in London. In a twist on the usual gig format, they actually supported themselves. They...
Every time I heard the Zager & Evans 'classic' "In The Year 2525" as a kid, I instantly imagined myself transported into the glorious future of jet-packs and hover-cars that I was so cruelly promised, and then, as an adult, denied. Listening it to it again the other day, I began to wonder if we could yet assess how accurate Zager & Evans' predictions of the future were... "In the year 2525, If man is still alive, If woman can...
Occasionally one wanders onto a torrent site to speculatively download the odd album, to see whether it is a triumphant return, or just a load of self-indulgent tosh made by people whose musical fires burned out long ago. From the metadata, I'm guessing the person who originally uploaded The Verve's "Forth" album into the torrentsphere wasn't terribly impressed with it....
This is one of those weird freaky Internet inspired co-incidence stories. In the mid-to-late eighties I was really into a pretty obscure band called "Slab!". Their first single "Mars On Ice" is still one of my favourite ever debuts, and I met the singer Stephen Dray a couple of times when seeing them at gigs. A few years back I wrote a piece about them for the BBC's Collective site, and a couple of the band got in touch with...
I've had a couple of mentions in the Guardian's music section recently. You may have spotted in my Delicious links that Steven Wells described blogging list-making music fans as "the antithesis of rock'n'roll" on the Guardian Music blog, citing "Lifetime of lost playlists" as a prime example. There was also a mention for Chipwrapper at the weekend, in Johnny Dee's piece about the history of the "Now That's What I Call Music" albums - 'NOW that's what I call a...
It was described as a 'freakily insular memoir-cum-meditation' by Bill Wyman's "Hitsville" blog. No, not that Rolling Stone Bill Wyman, although the real deal featured in part 4 of the series in question. I'm talking about my lengthy "A lifetime of lost playlists" set of articles, which has been gaining quite a few links around the web. Aside from the Hitsville blog, the series was also kindly posted to Metafilter by Feeling Listless. As ever, that brought a rapid spike...
In this series of articles I've been looking at how the way I've organised and consumed music and made 'playlists' has transformed over the last 30 years. When I first started showing an interest in listening to records when I was a youngster, my playlist mechanism was pretty much shouting at my mum to put my records on. As I got older the Compact Cassette allowed more opportunity for me to choose what I was going to listen to...
I've been writing a series of articles looking at how the way I've listened to music over the last 30-or-so years has changed with the different formats music has been sold in. The introduction of the Compact Disc in the early 80s digitized music, but it wasn't until the advent of cheap home computers in the late 1990s that the true impact of this decision began to be felt. Digitization paved the way for two new ways of organising...
I've been writing a series of articles looking at how the different musical formats I've used in the last 30 years have shaped the way we made 'playlists'. In the last part, I looked at how the music industry's digital tape revolution with the DAT and DCC formats failed as a consumer proposition. Another format that never really gained mainstream adoption was Sony's MiniDisc format. I, though, was a huge fan and convert, mostly because of the flexibility of...
So far in this series I've looked at how changes in music formats have affected the way that I consumed music and made 'playlists'. The progress has pretty much followed the same pattern as the overall progress of music formats - up until the introduction of the Compact Disc. Having successfully induced a large proportion of the record-buying public to migrate from analogue vinyl to digital Compact Disc, the music industry next attempted to migrate consumers from analogue cassette...
In the previous part of this series looking at changes in the way I have consumed music during my lifetime, I was talking about the introduction of the Compact Disc into my listening habits. For a couple of years, I was very picky about when I would spend £11.99 on a compact disc album and when I would prefer to spend £6.99 on a vinyl copy instead. Not least of my concerns was that I had a record player...
I've been writing a series of articles about how my music listening and purchasing habits have changed over the last 30-odd years, specifically looking at how different formats have affected the way I've assembled the 'playlists' of what I wanted to listen to. So far, it has all been about the analogue formats of radio, the Compact Cassette, and the vinyl record. And then the Compact Disc arrived. The digital revolution It is probably a little unfair to have...
Starting off with the times when I simply yelled at my mum to put my favourite record on, I've been writing about how the ways that I have organised my music playlists have changed over the last 30-odd years. In the main this has been due just as much to the way musical formats themselves have changed, as to any differences in my musical taste, listening habits and lifestyle. Buying my own records regularly In the last part of...
I've been looking at the different ways physical music formats determined how I organised and consumed musical 'playlists' over the last 30-odd years of being a music fan. So far, during the seventies, I've mostly looked at situations where I was at the mercy of my parent's tastes. However, as the eighties started, I had regular access to my own record deck in my own room, and soon got my own cassette-radio player. Having my own cassette player rapidly...
Having mentioned listening to Creedence Clearwater Revival in today's "Lifetime of lost playlists" post, I thought I'd follow up on my moan about the John Fogerty show I saw whilst I was in London a few weeks back. To recap, I was very excited to be around and to get the chance to see John Fogerty live, especially as I was able to go in the company of my dad, who'd introduced me to the band with cassette compilations and...