A lifetime of lost playlists: Part 2 - The kids are alright
Yesterday, I began a series of posts looking at how format changes over the last 30 years have shaped the way that I have organised and listened to music. I was also lamenting the fact that there was no digital file recording my music 'attention data' over all those years. My 'most listened to' playlist on iTunes only covers the years since I have had an iPod, rather than including the musical 'highlights' of my youth.
My childhood music consumption in the 1970s
I got into listening to music at a very early age. My parents used to have records or the radio on around the house a lot, and some of my earliest memories revolve around music.
I remember, for example, when I first found out about the difference between stereo and mono. I had the theme tune to The Wombles on a 7" single on the CBS label. The A-side was labelled 'mono', but the B-side, the vastly superior "Wombles Everywhere" was labelled 'stereo'. After all, before the advent of NICAM digital stereo, why would you need to record the A-side TV theme tune in anything other than mono?
I played the mono side one evening when my Granddad was at home babysitting, and said to him that even though it said 'mono', I could hear music coming out of both speakers. I had even then, with the makings of a true pedant and someone who understands the concept of 'test scripts', made a point of listening to the same part of the record on separate occasions with my ear pressed alternately to the left and right speakers. This was to ensure I wasn't being fooled by some sneaky speaker-switching.
Granddad patiently explained about how the sound would be the same in both speakers if a record was 'mono', but different in each speaker if the record was 'stereo', which at the time would have still been a reasonably new-fangled consumer experience at just over a decade old.
Music metadata for children
The metadata associated with records marketed at children is subtly different to those marketed at adults. Well, not so subtly actually. Bright colours, icons and shapes were the order of the day in the 1970s. A couple of the 'kids' records jointly owned by me and my sister even distinguished themselves by being on multi-coloured 'splatter' vinyl, rather than on the regular dull black stuff.
The first record that I ever bought with my own money was an album called "TV Favourites". I bought it because it had the Doctor Who theme, and a big bright silver 50 pence shaped sticker saying "50p" on it. 
Those were the only important bits of information I needed - the record featured the music from my favourite TV show, and I could afford it. There were no artist credits on the record, as the tunes were cover versions being performed by faceless session musicians. The only copyright messages were for the images of Rupert The Bear, the Pink Panther and Dougal used on the front cover.
In fact, as it turned out, the arrangement of the famous Doctor Who theme on the record bore very little relation to the music I heard announcing a new adventure starring Tom Baker every Saturday. Not that I cared about that much as a kid - the passing resemblance to the theme was good enough for me. 
The outside of the "TV Favourites" album may have been aimed at children, but the inner sleeve featured advertising aimed squarely at adults. Adults who might, for example, want to look after their child's new scratch-prone vinyl record purchase with the ultimate music accessory - the Marsden Hall Record Care System.
Of course, the aspirations of the advert weren't just for adults.
Oh, how I dreamed of the day when I grew up and would be allowed to have my own "Record Care Centre". The fun I would have cleaning and polishing my fledgling collection of records. Who could ever tire of such a rewarding activity? Little did I know, of course, that at one point in the future I would be earning my living by spending most of the day cleaning vinyl in the mail order department of Reckless Records - and it wasn't quite so much fun after all!
'Most listened to' playlist - The early 70s version
This nostalgia for my childhood records has been fuelled by the realisation that since I adopted the iTunes / iPod combo as my principle means of listening to music, I have a very detailed list of what I have listened to in the last two years. The thirty-or-so years before that are a complete mystery, and I'd love to be able to re-capture that data.
A childhood disc that would figure highly in any true count of what I had listened to over my lifetime would be another television favourite - my Johnny Morris 'Animal Magic' album. 
Released on the Roundabout label, it and the "TV Favourites" album were still part of the tiny remnants of my vinyl collection that eventually got shipped from the UK to Crete. It dates from 1969, a couple of years before I was born, and was some kind of family-hand-me-down. I never had an outer sleeve for it.
Playing it was a fantastic imaginative journey for a child. It tells the story of how a street populated with animals gradually wakes up, commutes to work, and comes home. All of the sound effects are supplied by the animals themselves, as Johnny Morris narrates the story. So the grunting of the fallow deer becomes the failed attempt to start an old scooter, the hissing of porcupines is them cooking a sizzling fry-up for breakfast, the woodpecker is working the drill on a building site and so forth.
Other records from my very young years that might just creep into an all-time chart of my listening behaviour would include a 1960s album by Pinky & Perky that, for some inexplicable reason, was housed in the sleeve of a Burl Ives record, "Here comes the judge" by Shorty Long, and "Gimme dat thing" by The Pipkins.
The first Muppet show album would also be on the list. Although if it had been on an iPod or mp3 player then, it wouldn't have been able to feature the locked run-out groove loop which had Fozzie Bear stuck in the theatre after everybody had left. He wailed "Help!" to himself over and over again until you physically lifted the needle. 
Making playlists in the early 70s
Making playlists as a child was a pretty simple and straight-forward process:
"Mum? Mum? MUM!!! Can you put my Doctor Who record on!"
|Metadata||Bright colours and cartoon characters - the written word not so important.|
|Making playlists by...||Shouting at mum to put my records on.|
|On the 'most listened to' playlist||The Wombles, The Muppets, Jonny Morris, Doctor Who theme on 'TV Favourites', Wally Whyton, Pinky and Perky.|
I'll be continuing this series with a look at the impact of the arrival of the 'Compact Cassette' in my house during the 1970s - and how it changed the way that I made playlists and listened to music.
 As a nerdy Doctor Who fan, these days I know it was a 1970s faceless cover version of a 1964 faceless cover version arrangement of the Saturday tea-time theme. The 1960s template was performed by Eric Winstone and his orchestra, and is available on the awesome 'Who is Dr Who' compilation album from RPM [Return to article]
 Having said that, the album wasn't banded into 'tracks', so I guess technically it would have only have been the times I listened to it all the way through that the iTunes play-count would have ticked over. [Return to article]