The Adventures of Tintin at Sea

Martin Belam
Written by
Published 29 August, 2004
Categories:

<< previous | next >>
1 comment so far 
Add your comment Add your comment

A week ago I took a day off and travelled to the National Maritime Museum to see their "Les Aventures De Tintin en Mer" exhibition, which closes on September 5th

I enjoyed it a lot, although couldn't help thinking that the prominent sponsorship by Ottakar's had turned it into a merchandising opportunity - demonstrated by two of my friends simultaneously clearing out the shop's stock and their bank accounts. To be honest I find the National Maritime Museum itself a little dull, although this is the second special exhibition I've visited there in the last couple of years, so they are certainly doing something right with their events booking.

Visually the Tintin highlights were frames from the books blown up to wall-size, accompanied by full-size replicas of some of the items depicted within them, a full-size model of Professeur Tournesol's shark submarine from "Le Trésor de Rackham le Rouge", the trail of little Milou cartoons on the walls around the whole of the museum, and a set of framed book covers which illustrated how widely the stories had been translated by having the typography changing to different languages as you walked passed.

One thing that came through to me was how much the politics of the 1930's to 1960's had influenced the stories, which was something I had not noticed when avidly reading them as a child. "Tintin in the Land of the Soviets" was overtly political, with its exposé of cruelty and corruption in Russia, whilst elsewhere Hergé touched on subjects like the contemporary slave trade in the Middle East, and was himself charged with collaboration for his work in "Le Soir" during the occupation of Belgium. It was also noted that all of the scientific experts in "The Shooting Star" are from Second World War Axis or neutral countries - none of the Allies are represented. Meanwhile, for the Allies part, a translation of his work for the American market saw some sailors recoloured as American publishers didn't think it was appropriate to depict black and white crew members working together in books for children.

The exhibition has left me with a new ambition. I have seen "Tintin et le Mystere de la toison d'or", one of two 1960's live action Tintin films. However, according to the Tintin timeline in the leaflet given to us at the museum, there was in 1947 a stop-motion puppet animation of "The Crab with the Golden Claws" - and I have to track down where I can see this.

1 comment so far

kewl site it really helped me do a project at skool. luv ya

Leave your comment

A limited set of HTML tags are allowed in comments: a href, strong, em, ul, li, blockquote
To protect against spam your comments will not appear on the site until I have manually published them.
Your email address will never appear on the site.

  

  

  


Alan Turing wouldn't be impressed with this crude test, but please prove you are a person and type toothpaste into the box below.

Search

Subscribe

Subscribe via email or RSS RSS icon
Get updates to currybetdotnet sent to you via email

About Martin Belam

I'm a London-based internet consultant and writer, with 8 years experience in product management, information architecture, and user experience design for global brands like Sony, Vodafone, The Guardian and the BBC. I specialise in advising on search, widgets, RSS, online news publishing and bulk email delivery.
Martin Belam CV
email: martin.belam@currybet.net
tel: +44 (0) 7801 828718
twitter: currybet
About Martin Belam and this site

Recent posts

Popular categories

BBC, Doctor Who, Ghost Walks, Media, Music, Newspapers, Search, Social media, Web